Philip Sugden, Artist

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  Twenty-One Pages from
The Manual on Dismantling God

Both in process and in viewing them, these pages investigate the possibilities of breaking down that dichotomy between one’s self and other by compelling the viewer to “read” the visual language intuitively. In this manner, the mind moves toward the unfolding present where one’s preconceptions, biases, and general baggage do not cloud the experience.

This project is not about the page specifically, as if they have some sort of literal or mystical meaning. Rather, for me as an artist, this project is about the process of exploring meaning and relationships. The title refers more specifically to the breaking down of the idea of an anthropomorphic God. In retrospect, this “breaking down,” has been a long and subliminal process inspired by a general exploring of ideas and meanings over the years. Philip Sugden
 
     
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page One: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
Background text is a working formula for the unified field theory.
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page Two: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
The Devinagari Sanskrit text is from the Bhagavad Gita.
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page Three: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
The Aramaic text is from the Gospel of Mark.
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page Four: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
The Chinese text is the first chapter from the Tao Te Ching by Lao Tzu.
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page Five: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
Background Chinese text is the first chapter from the writings of Chaung Tsu.
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan Daphne paper
Page Six: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan Daphne paper
16" x 20"
The background text is from the Upanishads
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and gouache on handmade Himalayan paper
Page Seven: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan paper
16" x 20"
The sankrit transliteration text; "Not this, not that, not anything the rational mind can concieve of."
Philip Sugden, Artist Pages From The Manual On Dismantling God Ink and Gouache on handmade Himalayan Daphne paper
Page Eight: Pages From The Manual On
Dismantling God
2010
Ink and Gouache on handmade Himalayan Daphne paper
16" x 20"
Background text are numbers, in sequence, for phi, the golden ratio.
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